The musictoyznetwork has a great demo of this machine. Finally, there’s a Mids Toggle switch, in which the down position scoops the mids and the up position boosts them according to the position of the Shape knob. Shape alters the EQ, and there’s a Clean Volume knob to blend your original signal, which can boost significantly above unity. It also inverts the phase of the fuzz, so that you can effect phase cancellation for octave-type sounds.įuzz controls the amount of fuzz, while Fuzz Volume the level. When the Clean Boost switch is up, it combines that saturation with overdrive on the clean signal. When the Clean Boost switch is down, the Input Gain is roughly equivalent to saturation. The first is Input Gain, which changes the amount of gain pre-fuzz. There are more controls here, too, to suit your specific needs. In this pedal, the circuit is designed to preserve that attack with enhanced high end presence to go along with the punishing low-end. With many fuzz units, the square wave chaos can translate to lost pick attack. The TAFM is perhaps more in the spirit of the Fuzz War above than, say, a Fuzz Face, being a thoroughly modern, brutal fuzz that is equal parts low-end power and singing sustain. This pedal will solve that issue and deliver more tones on top of that.Īs with the next item on our list, the Team Awesome Fuzz Machine combines silicon and germanium resistors for the optimal blend of tone and reliability. Why you would choose this one: The punishing lows of other fuzz pedals have made it so you can’t cut through the mix. You can easily find used examples on Reverb of both this and the limited-edition Super Fuzz War. Who better to demo this than The Fuzz Channel? If you want even more choices about how you die (by audio), you could consider their Apocalypse, which offers five different types of fuzz and distortion. This is the template for modern, brutal fuzz. Turning the Tone knob results in a distinct shaping thanks to the multi-curve filter housed within. This is among the most savage of fuzzes, capable of thick sustain with surprising range.Ĭontrols again include Fuzz and Volume, but the Fuzz War adds a Tone for shaping the harmonic content. This modern, destructive fuzz is meant as a full-bore wall of distortion that far exceeds the relatively humble capability of its predecessor. Why you would choose this one: You need both sludgy lows and biting highs with plenty of brutality in between.Īs if to illustrate the flexibility of the simple fuzz circuit, the Fuzz War is quite a different beast when compared with the Fuzz Face. Used Fuzz Faces from just about every era are a constant presence on Reverb, which could either save you some money or cost you a lot more depending on which one you opt for. You could also opt for the MXR version, which come in standard and mini versions.Ī classic pedal deserves a classic ProGuitarShop demo. All of them are worth a look, but this is the starting place. There are many Fuzz Face versions to choose from, and most are in the Mini form factor. Oh, also: power must be delivered by a 9 volt battery. Controls are boiled down to the simple Volume and Fuzz. That means that the fuzzy character is retained, but it’s not quite as muddy as the very first units. (A germanium Fuzz Face Mini is available, however.) The company calls it a “meticulously faithful reproduction,” though to be clear, they’ve reproduced the later silicon units, not the true original germanium ones. In 1993, Dunlop took over and reissued the original Fuzz Face. The original run ended in about 1977, and was later reissued in 1986 through 1990. When people say fuzz, this is probably the first thing that comes to mind. Nevertheless, the pedal formulation still provided the most reliable form of the fuzz effect to date, and became one of the primary tools for Jimi Hendrix. It used relatively unstable germanium transistors, which changed character as the temperature around them changed. (later called Dallas Arbiter, the most famously known branding) released the original Fuzz Face. Way back in 1966, Arbiter Electronics Ltd. Why you would choose this one: You’re seeking classic fuzz tones with the ability to back off a bit for chiming leads.
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